Next I draw the plantilla outline on the top.
After that I saw out the top leaving about 10 mm of border space at the edge.
When I am doing tuning, I will trim the top nearer to the actual plantilla.
The excess edges will affect the tuning results thus it needs to be as close to the final shape as possible.
After 2 years of playing the guitar, I finally get around to start finishing the guitar.
The string broke so I removed the string and started the finishing process properly.
The sound has developed to be very good.
In terms of sonoriy I would rate it the best amongst my guitar. (2nd is followed by Guitar #5)
Other guitars were generally great at the trebles but OK at the bass sonority.
This guitar has both clarity, separation and great bass sonority.
I attribute this to the bracing and the low air resonance.
First I sanded the top even with various grits: 150, 240, 320, 400, 800, 1500.
Then I pore filled the rosette ring with CA glue.
I tape up those areas which I don't want to coat with shellac.
Finally I coated the surface with thin coats of shellac without any oils.
I noticed some patches of unevenness on the rosette area which means I did not sand it even after the pore filling.
Likely I will need to remove the base coat of shellac in particularly the rosette area.
But the grain really pops out after the shellac is applied
More FP in progress the shellac building up slowly.
Some more polishing to go.
The shellac build is good but after spiriting off I lost some of the shine.
Hmm I am supposed to burnish the surface to compact the shellac but with the bridge in place it's kind of hard to do that.
The excess oil were removed with paper towel.
Those hard to reach area (e.g. bridge area, area besides the fingerboard) are easier to reach if I put a coin into the mueca during the polishing.
I level sand the surface using oil and 800 grit.
Then I followed up with more polishing.
The effect looks much better
I began to finish the back.
I stopped a while as I was thinking what to use to finish the back.
In the end I decided to use shellac.
Pore filling with dust wasn't working out too well.
In the end I use pumice.
The trick to use pumice is not to apply too much of it.
If too much is used it will get tacky and discoloured.
When that happens use more alcohol to level it out.
After a few bodying session, the coat builds up fine.
I polished a bit and things looking good.
I level sand a bit in between.
Some pores are still quite visible so I just a bit more pumice to fill them.
That's the good thing about using FP and pumice to pore fill; you can always go back and do it any time.
After a few sessions of polishing this is how it looks.
I level sanded a few times.
There are some along grain graduations though so when I do spirit off I did it in a traverse direction.
It did level it a bit so i think i will continue a few sessions to level them.
I began the build by shooting the various boards: tops and backs.
After making sure that no light passed thru' the joint seam, I proceed to joint the 2 halves of the boards.
I have only 2 sets of jig to clamp the 2 halves so I joint the tops first.
The top is removed from the jointing jig.
Next the back is glued with the same method as the top.
The glue remnants is also removed by scraping from the jointed area on the top.
After the glued dried and more than 48 hours, the 2 backs are released from their jointing jigs.
I will be beginning a few new builds: 2 new 6-string guitar and 1 new 7-string guitar
The guitars will all be using RW back and sides with Lutz spruce top.
The RW back taps very high pitch with lots of sustain.
Think these will be interesting build, be sure to stay tuned.
A ukulele came in for repair as the bridge came off (another case of bridge repair).
The owner has used a shoe glue to glue it back but it was not a suitable glue.
So I had remove the glue remnants.
Upon removing it I noticed the top was scribed with a lot of XXXXX and this is the cause of failure...
Normally top should not be scribed with xxxx.
Glue work best with fitting surfaces and if the top is damaged with xxxx scribes, the surface will not be fitting and the chances of bridge coming off is bigger.
After cleaning the surfaces and sanding both side to have better fit, I applied the glue and glued back the bridge to the top.
I have a guitar coming in for a bridge repair.
Nothing too out of the ordinary.
But I did noticed that the top has some wavy curve across, but I did not see any damages to the butt area.
So I think the cause of the bridge coming loose is probably due to changes in RH.
Anyway for this bridge repair I use a caul underneath the top and clamp with 3 bridge clamps.
Before applying the glue, I clean the surface with sandpaper.
After that I applied the glue and clamp.
The guitar has been strung up for about a week and the bridge still stays strong.
I prepare a new nut for the guitar with a closer string spacing.
The maker has put a pin in the middle of the nut slot which makes the making of the nut a bit more challenging.
So I just make the nut to fit the slot and file the string spacing accordingly.
Next I cut the binding channel on the back of the guitar.
Normally I will cut the top binding channels first for but this time round I cut the back bindings
Also I bent the bindings.
I thought ebony was hard to bend but they came out pretty good.
Think overall my method had improved as I use another iron to heat the other side of the wood.
That really helps in the bending.
I describe a bit about my new method of bending.
Actually there isn't much difference from my previous method.
Previously I will use 2 blocks to support the back of the curve portion during the bend.
However the heat is only coming from the hot pipe side.
So this might result in some breakage for some woods that don't want to be bent.
With this method, the concept is very similar.
The bend at the curve part is now supported by the iron; but I can only support one side instead of two.
I need the other hand to hold the bindings.
The good part is the iron will also apply the heat to the back of the wood which greatly reduce the breakage.
Also by pulling the wood thru the compressing heat mold formed by the pipe and the iron, the wood acquires a gradual bend shape.
This will also reduce the amount of sanding required for the woods after bending.
After cutting the channel, I fit the binding and they fit perfectly.
I did some adjustment to the trimmer to cater for the arch back surface.
Thus the channel came out referenced the sides instead of the top.