I was busy making lots of jigs and mould recently so haven't really got time to post any pictures.
Anyway I started on another neck for my #3 guitar though I haven't decide on the back and sides material.
I am thinking of a cypress with an Torres FE17 plantilla.
After seeing many people making a neck with a Romanillos V-joint (mortise and tenon), I decide to attempt it.
There are lots of valuable resource on the forum which I participated
Covered/Fussen V-joint (Hauser) by David Schramm (A luthier who build great Smallman style guitars and did his research on Hauser guitars) on the Delcamp forum
V-joint tutorial by Waddy Thomson (An amateur luthier who build in the Romanillos style) on the OLF
V-joint tutorial by Joshua French (A Houston-based luthier who builds in the Romanillos / Torres style with Tornavoz) on the OLF
These great resources helped me a lot on how to build a V-joint.
So I did just that.
The scribing and sawing part was easy but the fitting part was tedious.
In the end I had to saw away the 1st V tenon i did and redo it again.
Here are my steps:
Marking the head angle 9 degrees (as per David Schramm). I choose a lesser head angle than my scarf joint is because my neck black was just about 1" thick.
If I choose a steeper angle I would need a thicke neck blank.
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Making the triangle 1st with pencil.
After that I went through the making with a scribing knife.
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The side view. You can see the 9 degree angle on the V.
Then I use my 1" paring chisel to chisel the marking to make it more prominent and easier to saw.
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Using the chisel to make the marking more prominent
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Fully scribed, ready to saw.
Then I proceed to saw away the wasted area.
I use a douzuki saw (Japanased backed pull saw) to do the job as it has very thin kerf and is able to saw in a straight line.
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Sawing the wasted area
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From the top end
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Sawn V tenon
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Another view
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Side view
Then I proceed to clean the sawn area.
This is where I failed, in the end the V tenon's angle all got messed up.
I reviewed David Schramm's video on how he did the clean up and follow his method.
I planed the angle into the front face of the tenon and put a 90 degree wood to serve as an reference to clean up the V tenon.
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Checking the head angle
Then I use the same face to draw the mortise part and saw the mortise on the head blank.
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Saw away the mortise part. Note my sharpened chisel, the mirror surface.
After than I proceed to fit the V-joint this is the most taxing part.
I am using hide glue and to glue well the joint must not have any gaps.
Hide glues doesn't glue well when there are gaps.
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The mortise and the tenon
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The fitted V-joint (still need to plane the head part to correct thickness)
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From behind view
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I use the shooting board (one of few jigs that I am making) to remove the end grain during the fitting process
Jig makinng: plate jointing jig
I spend my time making some jigs.
Here's the story.
When I want to glue the head plate for my #2 neck, I found that I need to join the back first and use the cutoff for the head plate.
So before I can join up the backs, I need a shooting board and a plate jointing jig.
So I made this plate jointing jig based on the LMI jig.
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The plate jointing jig
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The top on the bottom part of the jig.
A top plate would cover the 2 plates and a rope is use to pull the 2 plates together.
Then the wedge would be inserted to exert more pressure on the 2 plates.
Shooting Board and Preparing the back for Jointing
Well I made a shooting board for shooting and jointing.
And then I began to prepare the backs for jointing.
Using my 16" MuJingFang wooden plane with a sharpened blade I began to even out the edges.
At first I apply the clamp the the 2 boards but in the end I discover as I need to take out often to do a light thru' check, I just simply hold it in place using hand.
There is a stopper block at the end of the shooting board.
When I do a light thru' check, I hold the pieces up against my table lamp and check which part of the 2 boards emits the light.
Then I shoot more of the touching areas (no light area) and even out the gaps.
I stop when I don't see any light thru'
It's really a great learning experience.
Next to come will be joining the 2 backs together but due to the weather (raining)
I decide to leave it for next time. (When it's raining the RH will be too high)
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The shooting board and the 16" MuJingFang plane and the IRW backs
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The shooting board and the 16" MuJingFang plane
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Shooting
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Holding with the left hand
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Holding up the piece against the light to check for joint closeness
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The 2 back pieces ready for jointing
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